https://nest-art.it NestArt Mon, 29 Nov 2021 09:11:45 +0000 https://nest-art.it en https://nest-art.it/about Mon, 15 Nov 2021 09:31:40 +0000 NestArt https://nest-art.it/about <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="124709872" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS ABOUT ABOUT ABOUT ABOUT&nbsp; What does it mean to feel at home? NestArt presents a selection of contemporary Italian artists in dialogue with the core concept of Nest Italy: the domestic nest, an intimate and familiar place.In the works of the selected artists, whose multiform researches pertain to the most experimental areas of the contemporary, it is possible to trace a subtle fil rouge, a dialogue on themes dear to the experience of the domestic, which can be understood as a dimension to return to, or sensation rare and precious of a family intimacy, up to the surprise, to the ironic disorientation of a house that can be a mysterious, unexpected, surprising ourselves. CONTACT -&gt; &nbsp; INSTAGRAM -&gt; © NEST ART NEST ITALY https://nest-art.it/artists Sun, 28 Nov 2021 08:32:09 +0000 NestArt https://nest-art.it/artists <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="125817517" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS&nbsp; HERMANN&nbsp;BERGAMELLIVIEWING ROOM -&gt; In these works Bergamelli hybridizes painting and weaving, giving them a particular visual-tactilecharacter, and with this a deep sense of intimacy, warmth, familiarity. The artist investigates the generative potential of the repetition of simple gestures. By revealing the power of praxis to order time through action on matter, he aims to experiment with production processes, rather than achieving preordained formal outcomes. From thought, to its continuous becoming matter, to return to reflection: each work is the pretext for an exploration, which the artist faces and offers to the public.&nbsp; + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3ebe0cd29f196cce24e34920241aad1a7ca528227fd8956ce2692c8d53f2e4b4/10.-Hermann-Bergamelli--verde-nel-verde-blu--titntura-con-elementi-naturali-e-chimici-su-tessuto--200x200cm--2020web.jpg" data-mid="125817514" border="0" src="https://freight.cargo.site/w/1000/i/3ebe0cd29f196cce24e34920241aad1a7ca528227fd8956ce2692c8d53f2e4b4/10.-Hermann-Bergamelli--verde-nel-verde-blu--titntura-con-elementi-naturali-e-chimici-su-tessuto--200x200cm--2020web.jpg" /> LUDOVICO BOMBENVIEWING ROOM -&gt; In Ludovico Bomben’s works, the compositional elegance of clear and measured gestures combines ancient, often religious and spiritual suggestions, with a distinctly contemporary sensitivity for design and materials. Everything appears clear, rational and sharp in the harmonic proportions, in the dialogue of light and shadow, in reference to tradition: yet something intervenes to undermine the perception, shifting its sensitive and symbolic center of gravity. + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f13295eb485f4fbd6c14444708cf8ee70a5e0c18d527a8325684e1ac4a348d3a/PALA21_SENZATITOLO_1web.jpg" data-mid="125817528" border="0" src="https://freight.cargo.site/w/1000/i/f13295eb485f4fbd6c14444708cf8ee70a5e0c18d527a8325684e1ac4a348d3a/PALA21_SENZATITOLO_1web.jpg" /> DUCCIO MARIA GAMBIVIEWING ROOM -&gt; Duccio Maria Gambi blends and integrates the figures of the artist, the designer and the craftsman. In his practice he explores the potential of both artificial materials such as metals, concrete and polyurethane foam, and natural ones, such as marble, stone, onyx. The object is the center of his research: in the artist’s words it is intended as a descriptive exercise, the theme of which can indifferently be matter itself or space.&nbsp; + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e68c55b5b711853b18dfe5281ca2054b5145a6987ae48502eb69bccad28476bf/Duccio-Maria-Gambi_inerte-grafico_1.jpg" data-mid="125817529" border="0" src="https://freight.cargo.site/w/1000/i/e68c55b5b711853b18dfe5281ca2054b5145a6987ae48502eb69bccad28476bf/Duccio-Maria-Gambi_inerte-grafico_1.jpg" /> PAOLOGONZATOVIEWING ROOM -&gt; Gonzato's research develops in a mash-up of elements, methods, possibilities in a broad horizon that ranges between art, architecture, design and fashion. His attitude is anti-academic and nomadic: the artist contaminates and re-signifies scraps and fragments of a globalized, commodified and mestizo contemporaneity, seeking fluidity between concepts, materials, stately and low registers, poetic and prosaic.&nbsp; + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/87a9fa4c660fc21e145c592d0f8f2745ef687b5583342b6b65ce4b88853c59be/_G1B4902-web.jpg" data-mid="125899504" border="0" src="https://freight.cargo.site/w/1000/i/87a9fa4c660fc21e145c592d0f8f2745ef687b5583342b6b65ce4b88853c59be/_G1B4902-web.jpg" /> MARCOLA ROSAVIEWING ROOM -&gt;In Marco La Rosa’s research, reminiscences of an archaic-classic past and innovative thrusts of the contemporary are mixed. His works make the metaphor of travel their own, both in space andin time, making the suggestions of the myth their own. His works concretize some episodes of a longed-for and universal homecoming. The speculative suggestion is combined with a rich and diversified aesthetic practice, which lingers on precious details such as the treatment of the surfaces, the refined chromatic choices and variety of the materials used.&nbsp; + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/3aa51e760dfcd2f06072e8d91b0a7653d226e7b0b0e7cfd6f988d5c39ff572af/Cordis_La-Rosa_09_001web.jpg" data-mid="125817530" border="0" src="https://freight.cargo.site/w/1000/i/3aa51e760dfcd2f06072e8d91b0a7653d226e7b0b0e7cfd6f988d5c39ff572af/Cordis_La-Rosa_09_001web.jpg" /> MICHELELOMBARDELLIVIEWING ROOM -&gt; Michele Lombardelli’s research is characterized by the contamination of a multiplicity of artist languages, in order to explore the limits and potential of the - in this specific case - pictorial discourse, touching its own zero degree. His paintings, in fact, at the same time so simple and enigmatic, suggest but do not constitute a narration-figuration. Disinterested in completeness, they rather investigate the margin, the fragment, the inconclusiveness. Lombardelli’s painting is a liminal fact, characterized by expectation, indeterminacy, transience.&nbsp; + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c03344f787bd9a4d88a7262d6d36207f5a58e9aade2d4ab5890bc6d498d1d07a/4.-Michele-Lombardelli--untitled-2020--acrilico-e-tempera-su-tela-50x40cm-web.jpg" data-mid="125817526" border="0" src="https://freight.cargo.site/w/1000/i/c03344f787bd9a4d88a7262d6d36207f5a58e9aade2d4ab5890bc6d498d1d07a/4.-Michele-Lombardelli--untitled-2020--acrilico-e-tempera-su-tela-50x40cm-web.jpg" /> MARTA&nbsp; PIEROBON&nbsp;VIEWING ROOM -&gt;The desire to imagine, build and tell worlds that go beyond what appears every day in front of our eyes, is the red thread that runs through the eclectic experimentation of Marta Pierobon. Everything, sensation or simply formal suggestion from the territory closest to us, the domestic, the intimate, the everyday, can be invested, distorted and reinvented by the generating force of the artist, fueled by a playful and dreamlike attitude.&nbsp; + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5387e76b8d3706d020de782efd04a79b52be8f7069110ec1a8862ad140b81c5c/fishbowl-front-web.jpg" data-mid="125817531" border="0" src="https://freight.cargo.site/w/1000/i/5387e76b8d3706d020de782efd04a79b52be8f7069110ec1a8862ad140b81c5c/fishbowl-front-web.jpg" /> DAVIDE MANCINI ZANCHI VIEWING ROOM -&gt;Davide Mancini Zanchi’s research moves from visual art, in particular from its more traditional mediums such as painting and sculpture, to then contaminate and explore other worlds and aesthetics, thanks to a metamorphic attitude. The artist’s work is a continuous repositioning, with respect to two major poles: the first is made up of the complex dynamics of the social context in which he acts, in terms of relational, taste and customs. The second refers to the long and illustrious artistic tradition, in particular Italian, which runs through all its operations in filigree.&nbsp; + <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/17fe9f53f8bd85cb681cd05f8b65ad0c50b71acc8ecc8eb6ffb71c399b1ee4ff/PEL_1178web-ok.jpg" data-mid="125817527" border="0" src="https://freight.cargo.site/w/1000/i/17fe9f53f8bd85cb681cd05f8b65ad0c50b71acc8ecc8eb6ffb71c399b1ee4ff/PEL_1178web-ok.jpg" /> © NEST ART NEST ITALY https://nest-art.it/artist-hermann-bergamelli Mon, 15 Nov 2021 09:37:18 +0000 NestArt https://nest-art.it/artist-hermann-bergamelli <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="124709919" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS &nbsp;ARTISTS ARTISTS ARTISTS ARTISTS HERMANN&nbsp;BERGAMELLIVIEWING ROOM -&gt; Hermann Bergamelli (Bergamo, 1990). Graduated in 2016 in New Technologies for the Arts at the Academy of Bergamo, in 2018 heattended a Scholarship at Central Saint Martins in London. Recent exhibitions include the groupshow 15 -&gt; The Waiting Hall, 2020, at A + B Gallery: I’ll be home tonight, 2019 at The House, Milan; Tòtòcœ, 2019 in Reharsal, Milan; the collective The Useless Land, 2018 at the Castello di Lajone in Alessandria. In the same year he participates in the ArtDate Festival - The Blank Contemporary Art in Bergamo. <img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/91f89ef67dd7415ee47aa303327e6b4665ab34dba58fd07c04bb67f460eb78c9/10.-Hermann-Bergamelli--verde-nel-verde-blu--titntura-con-elementi-naturali-e-chimici-su-tessuto--200x200cm--2020-web.jpg" data-mid="124572870" border="0" src="https://freight.cargo.site/w/800/i/91f89ef67dd7415ee47aa303327e6b4665ab34dba58fd07c04bb67f460eb78c9/10.-Hermann-Bergamelli--verde-nel-verde-blu--titntura-con-elementi-naturali-e-chimici-su-tessuto--200x200cm--2020-web.jpg" /> Bergamelli’s research moves between memories of optical painting, anti-form sculpture and thoseof an ancient knowledge, weaving: it is this specifically tactile character of his works that givesthem a particular sense of intimacy, warmth, familiarity. In fact, we associate powerful, primordialand visceral suggestions to the touch, compared to the sense of the gaze, historically predominantand linked to more rational experiences, such as vision and writing. In creating his works, the artist investigates the generative potential of the repetition of simplegestures, refines their expressive potential: he reveals the power of praxis to order time, givingmeaning to matter. His practice is, in the artist’s own words, an erratic opportunity, always findingoneself in a different perspective. In textile paintings-sculptures, Bergamelli aims to experiment with production processes, rather than achieving preordained formal results. From thought, to its continuous becoming matter, to return to reflection: each work is the pretext for an exploration, which the artist faces and offers to the public. For this reason, the aesthetic components of the materials patiently worked are as declared and evident as they are pervaded by a meditative suggestion, a cosmic inspiration. In the Stratifications, long strips of fabric - over twenty meters - are folded and sewn, developing anorderly yet fluid, soft, monumental space with a liquid, atmospheric trend. In diving, the linkbetween the gesture and its outcome is just as immediate and yet only partially controllable: the coloring of the fabrics with additives or natural pigments is recomposed only later by the artist. © NEST ART NEST ITALY https://nest-art.it/artist-ludovico-bomben Wed, 17 Nov 2021 15:52:42 +0000 NestArt https://nest-art.it/artist-ludovico-bomben <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="124876988" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMSARTISTS ARTISTS ARTISTS ARTISTS ARTISTS&nbsp; LUDOVICO BOMBENVIEWING ROOM -&gt; Ludovico Bomben (Pordenone 1982) graduated from the Academy of Fine Arts in Venice after attending the four-year period of decoration. His research aims to deconstruct the perception of space and the object, unhinging the coordinates of those who usually live and frequent them. His attention swings from the environment to the object, focusing on the study of the relationships between material, language, form and concept. He has exhibited in various private and institutional venues, including 54. Venice Biennale of art; Talent Prize (Inside Art); Contemporary Dolomites (Belluno); Bevilacqua La Masa Foundation (Venice); Tina B Festival (Prague); the Fabbri Prize (Treviso), Villa Manin (Udine); CAREOF - Via Farini, Revoltella Museum and Palazzo Reale in Milan. <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f13295eb485f4fbd6c14444708cf8ee70a5e0c18d527a8325684e1ac4a348d3a/PALA21_SENZATITOLO_1web.jpg" data-mid="124946813" border="0" src="https://freight.cargo.site/w/1000/i/f13295eb485f4fbd6c14444708cf8ee70a5e0c18d527a8325684e1ac4a348d3a/PALA21_SENZATITOLO_1web.jpg" /> In Ludovico Bomben’s works, as the artist himself maintains, everything appears clearly stated in the calculation of harmonic proportions, in the dialogue of light and shadow, in the constant reference to tradition: yet something intervenes to undermine perception, to shift the sensitive center of gravity and symbolic of the object, and with it, ours. His research moves seamlessly from the environmental and installation dimension to the sculptural and visual one, developing a sophisticated analysis and deconstruction of the space. Within the coordinates of a formally and conceptually rigorous approach to design, the artist investigates the limits of both our perceptive abilities and the very plastic and visual possibilities of the work, its ability - literally - to create its own space. Clear compositional gestures, orchestrated with skilful measure, mix ancient symbols and suggestions, often religious and spiritual, with a distinctly contemporary sensitivity for composition and materials. In Bomben's wall works, the typologies of the devotional icon, the altarpiece, the golden cloisons meet the language of technical drawing, steel and acrylic stone. Textures of solids are hinted at on the white or black background, suggesting barely shortened spaces. Even in the works with a sculptural character, the events are in the variations of light, an instrument of mediation and revelation of the sign on the material. The artist reveals the tension between two-dimensionality and three-dimensionality, full and empty, ultimately between reality and its perception: in the works these boundaries are renewed in their mutability and transience, emerging from the minimum thickness of a portion of an inclined plane, from the to pronounce an elegant shadow along a profile, from the precious golden edge of a frame. © NEST ART NEST ITALY https://nest-art.it/artist-duccio-maria-gambi Mon, 15 Nov 2021 09:37:36 +0000 NestArt https://nest-art.it/artist-duccio-maria-gambi <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="124709926" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS DUCCIO MARIA GAMBIVIEWING ROOM -&gt; Duccio Maria Gambi (Florence, 1981). His work is as heterogeneous as the path he explored before opening his studio and laboratory in Paris in 2012. He has a solid theoretical background, thanks in particular to his studies on the Radical Movement in Florence and on interiors design in Milan. He has worked in several prestigious studios and artisan workshops, including anexperience at the Atelier Van Lieshout in Rotterdam, mastering different techniques and production processes. He won the Cedit Award at the 2017 edition of Miart and his work is part of the permanent collection of the Milan Triennale. <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e72844e70a0ee5c0fcf4f94fc5ef8b1ec5e804480e22672ac55a3ddee03ecdcb/Duccio-Maria-Gambi_inerte-grafico_1.jpg" data-mid="124572889" border="0" src="https://freight.cargo.site/w/1000/i/e72844e70a0ee5c0fcf4f94fc5ef8b1ec5e804480e22672ac55a3ddee03ecdcb/Duccio-Maria-Gambi_inerte-grafico_1.jpg" /> Duccio Maria Gambi blends and integrates the figures of the artist, the designer and the craftsman. In his practice he explores the potential of both artificial materials such as metals, concrete and polyurethane foam, and natural ones, such as marble, stone, onyx. The object is the center of his research: in the artist’s words it is intended as a descriptive exercise, the theme of which can indifferently be matter itself or space. The artist’s creative process sees no solution of continuity between intuition, design andrealization, in a productive approach of an experimental designer that focuses on the single pieceand the small series. From a formal point of view it is the Central Italian tradition that emerges, in amarked aptitude for composition and volume. Geometric rigor and softness alternate, often linked to the autonomy and unpredictability of the material and openness to space, architecture and nature. Brique et Beton develops a series of variations starting from the union of brick and concrete: the artist’s intuition guides the investigation around these two motifs typical of modernity, which interactin a game that accompanies them outside the perimeter of architecture. In the series of works from Guerra Fedda and Inerte Grafico, a clear ecological sensitivity emerges: in the first, some recovered tiles are used in new cement structures, for their ability to evoke a particular aesthetic of ahistorical period. The second series sees the immersion of plastic waste in concrete objects, skilfully brought back to the surface by the sculptural action, giving a unique character to each piece. Repetition and variation also guide the compositional rhythms of the artist’s foams, where rigid and clear cuts alternate with more informal moments, in a balance that is renewed step bystep. © NEST ART NEST ITALY https://nest-art.it/artist-paolo-gonzato Mon, 29 Nov 2021 09:11:45 +0000 NestArt https://nest-art.it/artist-paolo-gonzato <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="125899450" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS &nbsp;ARTISTS ARTISTS ARTISTS ARTISTS PAOLOGONZATOVIEWING ROOM -&gt; Paolo Gonzato (Busto Arsizio, 1975) lives and works in Milan. Trained at the Brera Academy of Fine Arts, his artistic path moves between contemporary and functional art: paintings, sculptures, collages, installations and performances combine the study of design with the poetics of art. His works are present in public and private collections and have been exhibited in national and international, personal and collective exhibitions, including Officine Saffi and Camp Design Gallery, Milan; Cabana Mad, Lisbon; International Museum of Ceramics, Faenza; Venice Biennale; Tate Modern, London.To his credit he has various curatorial experiences and non-profit projects; he has also collaborated with Fiorucci Art Trust and other realities for the realization of performances, DJ sets and site-specific interventions. <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/87a9fa4c660fc21e145c592d0f8f2745ef687b5583342b6b65ce4b88853c59be/_G1B4902-web.jpg" data-mid="125899460" border="0" src="https://freight.cargo.site/w/1000/i/87a9fa4c660fc21e145c592d0f8f2745ef687b5583342b6b65ce4b88853c59be/_G1B4902-web.jpg" /> Paolo Gonzato defines his research as a mash-up of elements, modalities, possibilities in which nothing is absolute - from the Latin ab-solutus, free from creativity or constraints - and it can be evaded in a thousand possible ways. His works are born from the fertile hybridization between art, architecture, design and fashion: going to vivisect and analyze every possible reference of the vast aesthetic-cultural archipelago that informs his practice would be a taxonomic effort of little use to grasp his anti-academic and nomadic attitude.Indeed, Gonzato is a trader: not only in a post-modern sense, or rather in the inexhaustible development of a glowing exercise in style. The conceptual process that leads to the visual or plastic concretion of his works recalls that paradoxical act of the artist which is “forgetting by heart”, dear to the artist Vincenzo Agnetti: the zero degree is neither possible nor desirable. The artist contaminates and re-signifies, in a key that oscillates between theatricality and the camp, scraps and fragments of a globalized, commodified and mestizo contemporaneity, seeking fluidity between concepts, materials, stately and low registers, poetic and prosaic.The Out of stock series, developed over the years in multiple variations, is an example of this process, which starts from impromptu and transient fragments. Leftovers from the studio, as well as elements of everyday life or of people close to the artist, are set to music by the associated harlequin diamond pattern by Gonzato: while taking on disparate colors and shapes, its formal control and the recognizability of a classic. Even the Baracche&nbsp;are born from a humble inspiration, corrugated sheet metal - a makeshift architectural material, landscapes without design or quality: the artist sublimates their precariousness in bizarre luminous bodies, imperfections in precious one-off pieces. © NEST ART NEST ITALY https://nest-art.it/artist-marco-la-rosa Mon, 15 Nov 2021 09:38:03 +0000 NestArt https://nest-art.it/artist-marco-la-rosa <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="124709932" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS&nbsp; MARCOLA ROSAVIEWING ROOM -&gt; Marco La Rosa (Brescia, 1978). In 2011 he graduated in Visual Arts at the Santa Giulia Academyin Brescia, where he has been teaching since 2018 after graduating in 2005 in Law. Since 2011 he has exhibited in Italy and abroad, mainly group exhibitions at museums and cultural institutes, including: Centro San Fedele in Milan (winner of the award in 2012), PAV in Turin in 2013, Museo Diocesano Tridentino in Trento in 2014, Museo RICE in Palermo in 2014, Casa Matei Corvin, Cluj-Napoca, Palazzo della Permanente in Milan in 2015, MAC in Lissone in 2016, San Rocco Museumin Trapani in 2017, Palazzo Ducale Mantova and Castello di Lajone in 2018, Venezia Art Factory for Metaxy art collective of IUAV in 2021; among the recent solo shows at the Paolo VI CollectionMuseum in 2016, Spazio Cordis in Verona in 2019, Palazzo Bertazzoli in Bagnolo Mella in 2020, A+ B gallery 2011 and 2016. <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/cbb182a7a80522cd619f9e6b577afa8c9d78624e3d9aa19bdb95f8691ac3a35e/Cordis_La-Rosa_09_001web.jpg" data-mid="124572908" border="0" src="https://freight.cargo.site/w/1000/i/cbb182a7a80522cd619f9e6b577afa8c9d78624e3d9aa19bdb95f8691ac3a35e/Cordis_La-Rosa_09_001web.jpg" /> The ideal arc of a modernity which - starting from neo-plastic research, up to minimalism and its post-modern versions - aims to synthesize reality and understand its essence is the humus from which the search for Marco La Rosa, mixed with reminiscences of an archaic past and centrifugal thrusts of the burning contemporaneity. His works embrace the metaphor of travel, both in space and, in fact, in time. In this latter sense, the sculptures of the Days series are exemplary, in which the artist regularly translates daily parentheses of experience into a few, simple elements: color, materials, shapes. The plastics of the Pelagos series feed on references that go even further back, making the times of the myth the irown, including some suggestions from classical epic literature. Echoing the journey of the Homerichero, the works concretize some episodes of a longed-for and universal homecoming. The speculative suggestion is combined with a rich and diversified aesthetic practice, which lingerson precious details such as the treatment of the surfaces, the refined chromatic choices and the variety of the materials used that introduce reason into the bed of poetry, culture into the flow of life. Exemplary is the Dodecahedron, one of the five Platonic solids, a mysterious object of study since ancient times. It was in fact the philosopher Plato who associated these solids with each of the elements: after fire, earth, air and water, the ether, matter of the celestial bodies and of the soul, was assigned to the dodecahedron. However, the solid can only paradoxically appear to usas a manifestation of the sensible world: open to the poetry of matter, it will be a distant memory of that world of ideas, as coveted as it is elusive and impossible. © NEST ART NEST ITALY https://nest-art.it/artist-michele-lombardelli Mon, 15 Nov 2021 09:38:36 +0000 NestArt https://nest-art.it/artist-michele-lombardelli <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="124709946" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS &nbsp;ARTISTS ARTISTS ARTISTS ARTISTS MICHELELOMBARDELLIVIEWING ROOM -&gt; Michele Lombardelli (Cremona, 1968) is an eclectic figure of artist, musician, publisher. Among the exhibitions we remember the personal exhibitions at: A + B Gallery, Brescia; Arrivada, Milan; La Rada, Locarno; Hall of the Columns, Corbetta MI; MOT International, London; AMT, Milan; Bonelli Contemporary, Los Angeles; MAC, Lissone. They also hosted his work: MA * GA ofGallarate; Assab One, Milan; CeSAC, Caraglio; Chateau de Chillon, Montreaux; The Triennale, Milan. His artist books have been exhibited in institutions such as the National Gallery of Modern Art, Rome; Casa del Mantegna, Mantua; Cantonal Des Beaux Arts Museum, Lausanne; MA * GAMuseum, Gallarate; The Triennale, Milan. Among the publications: California, Humboldt Books; Los Angeles 1989 / Tokyo 1991, Humboldt Books, Milan; Reserve system and transition states (with L. Scarabelli), Artoteca, Milan; General (with L. Presicce, A. Linke, V. Cabiati, A. Martegani), A + M bookstore, Milan. <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/c03344f787bd9a4d88a7262d6d36207f5a58e9aade2d4ab5890bc6d498d1d07a/4.-Michele-Lombardelli--untitled-2020--acrilico-e-tempera-su-tela-50x40cm-web.jpg" data-mid="124572951" border="0" src="https://freight.cargo.site/w/1000/i/c03344f787bd9a4d88a7262d6d36207f5a58e9aade2d4ab5890bc6d498d1d07a/4.-Michele-Lombardelli--untitled-2020--acrilico-e-tempera-su-tela-50x40cm-web.jpg" /> Michele Lombardelli’s research is characterized by the contamination of a multiplicity of artisticlanguages. Along his path, the artist has experimented extensively in different fields, such asmusic, sculpture and installation, graphics and publishing. His visual research moves from ananalytical approach, combining an attitude to laterality, incommunicability and dissonance, whichare - for example - also the characteristics of the musical experiments carried out with the UntitledNoise project. Lombardelli explores the limits and potential of pictorial discourse, touching its own zero degree. His paintings, at the same time so simple and enigmatic, suggest but do not constitute a narration-figuration. Disinterested in completeness, they rather investigate the margin, the fragment, the inconclusiveness. Lombardelli’s painting is a liminal fact, characterized by expectation, indeterminacy, transience: aesthetic data and also, at the same time, states of the human soul. The threshold is in fact a porous area, a transition between us and the world, between the innerplace and the opaque exterior, the peel of reality. Lombardelli, in these works, seems interested in investigating this moment of transition, an indefinite time, looking for the point where some sensations and data are about to become action, or story. The words Cellar Doors, which give the series its title, are an example of phonaesthetics, that is, the pleasure of combining the words themselves in sound terms, rather than in meaning. The sign is detached from meaning, as in Lombardelli’s paintings, embracing uncertainty but also the richness of multiple perceptual possibilities. © NEST ART NEST ITALY https://nest-art.it/artist-marta-pierobon Tue, 23 Nov 2021 12:52:54 +0000 NestArt https://nest-art.it/artist-marta-pierobon <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="125419771" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS &nbsp;ARTISTS ARTISTS ARTISTS ARTISTS MARTAPIEROBONVIEWING ROOM -&gt; Marta Pierobon (Brescia, 1979) lives and works in Milan. After graduating from the Academy of Fine Arts in Florence in 2006, he worked as an assistant to Urs Fisher and Anna Galtarossa; she was the co-founder of Spazio Morris in Milan. Between 2007 and 2020 his work was exhibited in various research spaces and institutions, such as Viafarini, Neon fdv and Edicola Radetzky (Milan), Duet space (St. Louis, USA), Esprit Nouveau and Localedue (Bologna), Soloway and Welcome to New York at Art in general (New York City), Museo di Santa Giulia (Brescia). He has exhibited in prestigious galleries such as Galleria Daniele Agostini (Lugano), Kate Macgarry (London), Marian Boesky with the project by Lucie Fontaine (New York City), Plutschow gallery (Zurich), 78 Lyndhurst way (London) and A Palazzo Gallery ( Brescia). In 2012 she won the Lombardia prize in Miart (Milan) and was selected for the Cairo Prize; in 2020 he is a finalist in the Michetti Award (Chieti). <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5387e76b8d3706d020de782efd04a79b52be8f7069110ec1a8862ad140b81c5c/fishbowl-front-web.jpg" data-mid="125420041" border="0" src="https://freight.cargo.site/w/1000/i/5387e76b8d3706d020de782efd04a79b52be8f7069110ec1a8862ad140b81c5c/fishbowl-front-web.jpg" /> The desire to imagine, build and tell worlds that go beyond what appears every day in front of our eyes is the red thread that runs through the eclectic experimentation of Marta Pierobon. The artist's action is that of a generating force, fueled by a playful and dreamlike attitude that takes you back to childhood. It expands in the territory to each of us close to the most immediate and intimate daily: every object, sensation, formal suggestion can be invested, distorted and reinvented. The figure of a small Canova’s Paolina Borghese can therefore stretch out on the décolleté of a high-heeled shoe, while an irreverent and sensual tongue can emerge from the shell of an oyster; birds, parts of the body, jewels can merge into phenomenal aggregations or new characters; all this can happen as much in the refined watercolor drawings on paper as in the sculptures in aluminum, resin or ceramic. Fish, as well as birds; air and water: Pierobon is particularly fascinated by those elements and creatures whose experience, fluid and aerial, is very distant from the human one, irremediably terrestrial. In this perspective, the interest in themes such as eroticism and sensuality should also be read. The attraction emerges towards what distances us further from the idea of a rational humanity, bringing us closer to an animal and primitive stage of our being in the world. Starting from the suggestions of the intimate and domestic, the artist traces and renews the deep, living and pulsating connections between us and our world. There is no limit to the imagination and its psychedelic and hallucinatory trajectories, to the liberating possibilities with respect to otherwise latent desires and escapes, which pervade our daily life under the skin. © NEST ART NEST ITALY https://nest-art.it/artist-davide-mancini-zanchi Mon, 15 Nov 2021 09:39:06 +0000 NestArt https://nest-art.it/artist-davide-mancini-zanchi <img width="759" height="154" width_o="759" height_o="154" data-src="https://freight.cargo.site/t/original/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" data-mid="124709951" border="0" data-scale="60" src="https://freight.cargo.site/w/759/i/64ec00f3853b0ae0477291f949729340d5058977ed75d19bb9af0135f733983e/NestArt-logo.png" /> VIEWING ROOMS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS&nbsp; DAVIDE MANCINIZANCHIVIEWING ROOM -&gt; Davide Mancini Zanchi (Urbino, 1986). He holds a Diploma from the Academy of Urbino. His personal exhibitions have been hosted at thePescheria Visual Arts Center in Pesaro (2021), National Gallery of the Marche (2017), at theFattori Museum in Livorno (2016), at A + B gallery (2012, 2014, 2017), by Otto Gallery of Bolognaand Societé Interludio of Turin (2019). Among the group exhibitions: ContemporaneoContemporanei, University of Verona (2019); Unstable Forms, Spazio Siena (2018), Versus, CivicGallery of Modena and Memories at Villa Manin, both curated by Andrea Bruciati; CIY, Ville Belvilleof Paris; Primavera 3, Dena Foundation, Frederic Lacroix Gallery, Paris. He is among the winnersof the Italian Council 2019 call; won the Sanpaolo Invest Award, fourth edition of the City ofTreviglio Art Award (2016), the 2014 Lissone Award at the MAC in Lissone, the Pescheria Award ofthe Pescheria Visual Arts Center in Pesaro in 2011. <img width="1400" height="1400" width_o="1400" height_o="1400" data-src="https://freight.cargo.site/t/original/i/17fe9f53f8bd85cb681cd05f8b65ad0c50b71acc8ecc8eb6ffb71c399b1ee4ff/PEL_1178web-ok.jpg" data-mid="124576447" border="0" src="https://freight.cargo.site/w/1000/i/17fe9f53f8bd85cb681cd05f8b65ad0c50b71acc8ecc8eb6ffb71c399b1ee4ff/PEL_1178web-ok.jpg" /> Davide Mancini Zanchi’s research moves from visual art, in particular from the traditional mediums of painting and sculpture, to then contaminate and explore other worlds and aesthetics, thanks to a metamorphic and somewhat anarchic attitude. The artist’s work is a continuous repositioning of himself and his work, with respect to two great poles: the first is made up of the complex dynamics of the social context in which he finds himself acting, in terms of relationships, taste and customs. The second goes back to the long and illustrious artistic tradition, in particular Italian, which infiligree runs through all Zanchi’s operations. The work is not the formal outcome of a production process that arises from shrewd intuitions, but itself the object of a meta-reflection on its statute, becoming an opportunity to activate light-hearted reflections and short circuits with irony, questioning at first person the viewer. In the works Il tempo è importante dedicarlo a chi ami and&nbsp;L'acqua non ci ha mai rammollito, Zanchi cooks spaghetti and uses them instead of the brush, with a style that mimics the great American Abstract Expressionism, imprinting festive games chromatic on single-color canvases. Right from the titles, the artist declares a happy hijacking of common sense, making his own theadvertising claims of one of the most famous foods in Italy, frequently associated with everydayconviviality, feeling at home and being with the family. On the blue backdrop of Cielus Notturnus Romanticus a myriad of stars stand out, made up of pieces of paper chewed and applied to thecanvas with a small blowpipe: from the irreverent gesture, almost a girl, a poetic and powerfultribute takes shape towards one of the most evocative iconographic motifs from the history of art. © NEST ART NEST ITALY